Contributors

Michael Kamen

#106802 · linked identity

Primarily credited for: Arrangement, Brass & Woodwind, Percussion & Keys, Production

ArrangementBrass & WoodwindPercussion & KeysProduction

Credited as: Arranged By [Orchestra], Conductor [Orchestra], Piano, Harmonium, Producer, Arranged By, Arranged By [Musical Arrangements For: American Symphony Orchestra, The], Arranged By [Orchestra]

Active decades in this dataset: 1970s, 1980s, 1990s, 2000s

In the Networked Players dataset, Michael Kamen is co-credited on documented releases connecting the albums below. A shared credit proves documented participation — never friendship, influence, or artistic lineage.

Explore Michael Kamen's documented credit neighborhood in the Network Explorer. Or connect two of their records directly.

Albums whose documented connection involves this contributor

Other contributors co-credited on the same documented releases

Worth a look: Kiss is credited for Unclassified — a different kind of role than Michael Kamen's Arrangement, Brass & Woodwind, Percussion & Keys, Production.

Documented evidence

Hop 1: Pink Floyd and Michael Kamen

both credited on The Final Cut (1983-03-21, Europe) · source

Release 367532 · evidence
Credited asScopeRoleIdentity
Pink Floydrelease artist#45467 · linked
Michael Kamenrelease creditArranged By [Orchestra], Conductor [Orchestra], Piano, Harmonium#106802 · linked
Michael Kamenrelease creditProducer#106802 · linked

Hop 2: Michael Kamen and Bob Dylan

both credited on Dignity (1994, Europe) · source

Release 1757792 · evidence
Credited asScopeRoleIdentity
Bob Dylan (as B. Dylan) 1track creditWritten-By#59792 · linked
Bob Dylan (as B. Dylan) 2track creditWritten-By#59792 · linked
Bob Dylan (as B. Dylan) 3track creditWritten-By#59792 · linked
Michael Kamen 3track creditConductor#106802 · linked
Bob Dylanrelease artist#59792 · linked

Hop 3: Pink Floyd and Michael Kamen

both credited on The Final Cut (1983-03-21, Europe) · source

Release 367532 · evidence
Credited asScopeRoleIdentity
Pink Floydrelease artist#45467 · linked
Michael Kamenrelease creditArranged By [Orchestra], Conductor [Orchestra], Piano, Harmonium#106802 · linked
Michael Kamenrelease creditProducer#106802 · linked

Hop 4: Michael Kamen and Kiss

both credited on (Music From) The Elder (1997, Europe) · source

Release 974771 · evidence
Credited asScopeRoleIdentity
Kissrelease artist#153073 · linked
Michael Kamenrelease creditArranged By [Musical Arrangements For: American Symphony Orchestra, The]#106802 · linked

Hop 5: Pink Floyd and Michael Kamen

both credited on The Final Cut (1983-03-21, Europe) · source

Release 367532 · evidence
Credited asScopeRoleIdentity
Pink Floydrelease artist#45467 · linked
Michael Kamenrelease creditArranged By [Orchestra], Conductor [Orchestra], Piano, Harmonium#106802 · linked
Michael Kamenrelease creditProducer#106802 · linked

Hop 6: Michael Kamen and Queen

both credited on Greatest Video Hits 2 (2003-12-26, Japan) · source

Release 6809820 · evidence
Credited asScopeRoleIdentity
Queenrelease artist#81013 · linked
Queenrelease creditProducer#81013 · linked
Michael Kamenrelease creditArranged By [Orchestra]#106802 · linked

Hop 7: Pink Floyd and Michael Kamen

both credited on The Final Cut (1983-03-21, Europe) · source

Release 367532 · evidence
Credited asScopeRoleIdentity
Pink Floydrelease artist#45467 · linked
Michael Kamenrelease creditArranged By [Orchestra], Conductor [Orchestra], Piano, Harmonium#106802 · linked
Michael Kamenrelease creditProducer#106802 · linked

Hop 8: Michael Kamen and Roberta Flack

both credited on Blue Lights In The Basement (1978, UK) · source

Release 1023167 · evidence
Credited asScopeRoleIdentity
Michael Kamen B5track creditOboe#106802 · linked
Roberta Flackrelease artist#63771 · linked
Roberta Flack (as Roberta)release creditBacking Vocals#63771 · linked
Roberta Flack (as Roberta)release creditKeyboards#63771 · linked
Roberta Flackrelease creditArranged By#63771 · linked
Michael Kamen (as "The Band," Michael Kamen)release creditArranged By#106802 · linked

A shared credit documents participation on a recording — evidence, never influence.