Hop 1: Tracy Chapman and G.E. Smith
both credited on Crossroads (1989, UK) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
G.E. Smith A1 | track credit | Acoustic Guitar [Picking] | #302594 · linked |
Tracy Chapman A2 | track credit | Twelve-String Guitar | #161091 · linked |
Tracy Chapman A3 | track credit | Backing Vocals, Electric Guitar | #161091 · linked |
G.E. Smith A4 | track credit | Electric Guitar | #302594 · linked |
G.E. Smith A5 | track credit | Mandolin | #302594 · linked |
Tracy Chapman B1 | track credit | Twelve-String Guitar, Harmonica | #161091 · linked |
Tracy Chapman B3 | track credit | Electric Guitar | #161091 · linked |
Tracy Chapman B4 | track credit | Twelve-String Guitar | #161091 · linked |
Tracy Chapman B5 | track credit | Guitar [Stagecoach], Harmonica | #161091 · linked |
| Tracy Chapman | release artist | — | #161091 · linked |
| Tracy Chapman | release credit | Producer, Vocals, Acoustic Guitar | #161091 · linked |
| Tracy Chapman | release credit | Words By, Music By | #161091 · linked |
Hop 2: G.E. Smith and Roger Waters
both credited on Newport Folk Festival 2015 (2015, Japan) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
Roger Waters 2 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 3 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 4 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 6 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 8 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 9 | track credit | Written-By [Uncredited] | #110862 · linked |
Roger Waters 10 | track credit | Written-By [Uncredited] | #110862 · linked |
| Roger Waters | release artist | — | #110862 · linked |
| Roger Waters | release credit | Vocals, Guitar [Guitars] | #110862 · linked |
| G.E. Smith | release credit | Guitar [Guitars] | #302594 · linked |
A shared credit documents participation on a recording — evidence, never influence.

