Networked Players

Contributor

John Davis (4)

#366507 · linked identity

Engineering

Credited as: Mastered By, Mastered By [Vinyl]

Active decades in this dataset: 1970s, 2010s

In the Networked Players dataset, John Davis (4) is co-credited on documented releases connecting the albums below. A shared credit proves documented participation — never friendship, influence, or artistic lineage.

Albums whose documented connection involves this contributor

Cover art for BlondeBlondeFrank Ocean · 2016Cover art for Close To The EdgeClose To The EdgeYes · 1972

Other contributors co-credited on the same documented releases

Yes#50263 · linked identityEd O'Brien#365794 · linked identity

Documented evidence

Hop 1: Ed O'Brien and John Davis (4)

both credited on Earth (2020-04-17, US) · source

Release 15188231 · evidence
Credited asScopeRoleIdentity
Ed O'Brien (as EOB) A1track creditVocals [Vox], Guitar, Bass, Percussion, Loops#365794 · linked
Ed O'Brien (as EOB) A2track creditVocals [Vox], Guitar#365794 · linked
Ed O'Brien (as EOB) A3track creditVocals [Vox], Guitar, Bass, Programmed By#365794 · linked
Ed O'Brien (as EOB) A4track creditVocals [Vox], Guitar, Percussion#365794 · linked
Ed O'Brien (as EOB) B1track creditVocals [Vox], Guitar#365794 · linked
Ed O'Brien (as EOB) B2track creditVocals [Vox], Guitar, Bass, Programmed By#365794 · linked
Ed O'Brien (as EOB) B3track creditVocals [Vox], Guitar, Effects#365794 · linked
Ed O'Brien (as EOB) B4track creditVocals [Vox], Guitar, Bass, Keyboards, Percussion#365794 · linked
Ed O'Brien (as EOB) B5track creditVocals [Vox], Guitar#365794 · linked
Ed O'Brien (as EOB)release artist—#365794 · linked
Ed O'Brien (as Edward O'Brien)release creditWritten-By#365794 · linked
John Davis (4)release creditMastered By [Vinyl]#366507 · linked

Hop 2: John Davis (4) and Yes

both credited on Fly From Here (2011, Russia) · source

Release 4487028 · evidence
Credited asScopeRoleIdentity
Yesrelease artist—#50263 · linked
John Davis (4)release creditMastered By#366507 · linked

A shared credit documents participation on a recording — evidence, never influence.