Stan Katayama

#486267 · linked identity

Primarily credited for: Engineering

Engineering

Credited as: Recorded By [Assistant], Mixed By [Assistant], Technician [Assistant @ Can-Am Recorders]

Active decades in this dataset: 1980s

In the Networked Players dataset, Stan Katayama is co-credited on documented releases connecting the albums below. A shared credit proves documented participation — never friendship, influence, or artistic lineage.

Explore Stan Katayama's documented credit neighborhood in the Network Explorer. Or connect two of their records directly.

Albums whose documented connection involves this contributor

The Dark Side Of The MoonPink Floyd · 1973

Blood Sugar Sex MagikRed Hot Chili Peppers · 1991

Other contributors co-credited on the same documented releases

Worth a look: Red Hot Chili Peppers is credited for Composition, Packaging & Business, Vocals — a different kind of role than Stan Katayama's Engineering.

Pink Floyd#45467 · linked identity Red Hot Chili PeppersDifferent role#92476 · linked identity

Documented evidence

Hop 1: Pink Floyd and Stan Katayama

both credited on A Momentary Lapse Of Reason (1987, Europe) · source

Release 367458 · evidence
Credited as	Scope	Role	Identity
Pink Floyd	release artist	—	#45467 · linked
Stan Katayama	release credit	Recorded By [Assistant], Mixed By [Assistant]	#486267 · linked

Hop 2: Stan Katayama and Red Hot Chili Peppers

both credited on The Uplift Mofo Party Plan (1987, Europe) · source

Release 414147 · evidence
Credited as	Scope	Role	Identity
Red Hot Chili Peppers (as The Red Hot Chili Peppers)	release artist	—	#92476 · linked
Red Hot Chili Peppers (as The Red Hot Chili Peppers)	release credit	Design Concept [Cover Concept]	#92476 · linked
Red Hot Chili Peppers (as The Red Hot Chili Peppers)	release credit	Music By, Lyrics By	#92476 · linked
Red Hot Chili Peppers	release credit	Backing Vocals	#92476 · linked
Stan Katayama	release credit	Technician [Assistant @ Can-Am Recorders]	#486267 · linked

A shared credit documents participation on a recording — evidence, never influence.