Hop 1: Free and Rhett Davies
both credited on Heartbreaker (1973-01-00, US) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| Free | release artist | — | #141624 · linked |
| Rhett Davies (as Rhett) | release credit | Engineer [Assistant] | #60621 · linked |
| Free | release credit | Producer | #141624 · linked |
Hop 2: Rhett Davies and Talk Talk
both credited on Natural History 1982 - 1988 · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| Talk Talk | release artist | — | #60480 · linked |
| Rhett Davies | release credit | Producer | #60621 · linked |
Hop 3: Free and Rhett Davies
both credited on Heartbreaker (1973-01-00, US) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| Free | release artist | — | #141624 · linked |
| Rhett Davies (as Rhett) | release credit | Engineer [Assistant] | #60621 · linked |
| Free | release credit | Producer | #141624 · linked |
Hop 4: Rhett Davies and King Crimson
both credited on Discipline (1981-09-00, UK) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| King Crimson | release artist | — | #70828 · linked |
| Rhett Davies | release credit | Producer | #60621 · linked |
| King Crimson | release credit | Music By [All Tittles By] | #70828 · linked |
| King Crimson | release credit | Producer | #70828 · linked |
Hop 5: Free and Rhett Davies
both credited on Heartbreaker (1973-01-00, US) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| Free | release artist | — | #141624 · linked |
| Rhett Davies (as Rhett) | release credit | Engineer [Assistant] | #60621 · linked |
| Free | release credit | Producer | #141624 · linked |
Hop 6: Rhett Davies and Roxy Music
both credited on Avalon (1982, Netherlands) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
| Roxy Music | release artist | — | #56621 · linked |
| Roxy Music | release credit | Producer | #56621 · linked |
| Rhett Davies | release credit | Producer, Engineer | #60621 · linked |
A shared credit documents participation on a recording — evidence, never influence.