Album

Kind Of Blue

Miles Davis · 1959

Connection 1: Rei Momo Search this route in Connect Two Records →

Kind Of Blue

Rei Momo

2 documented hops.

Hop 1: David Byrne and Bill Laswell

both credited on My Life In The Bush Of Ghosts (1981-02-22, Italy) · source

Release 839762 · evidence
Credited as	Scope	Role	Identity
Bill Laswell (as Laswell) `A1`	track credit	Arranged By	#661 · linked
David Byrne (as Byrne) `A1`	track credit	Arranged By	#3918 · linked
David Byrne (as Byrne) `A3`	track credit	Arranged By	#3918 · linked
David Byrne	release artist	—	#3918 · linked
Bill Laswell	release credit	Bass	#661 · linked
David Byrne	release credit	Guitar, Bass, Synthesizer, Drums, Percussion, Noises [Found Objects], Producer	#3918 · linked
David Byrne	release credit	Producer, Written-By	#3918 · linked

Hop 2: Bill Laswell and Miles Davis

both credited on Panthalassa: The Music Of Miles Davis 1969 - 1974 (1998, Europe) · source

Release 1889811 · evidence
Credited as	Scope	Role	Identity
Miles Davis (as M. Davis) `1`	track credit	Composed By	#23755 · linked
Miles Davis (as M. Davis) `2`	track credit	Composed By	#23755 · linked
Miles Davis (as M. Davis) `3`	track credit	Composed By	#23755 · linked
Miles Davis (as M. Davis) `4`	track credit	Composed By	#23755 · linked
Bill Laswell	release artist	—	#661 · linked
Miles Davis	release artist	—	#23755 · linked
Bill Laswell	release credit	Remix [Reconstruction & Mix Translation]	#661 · linked
Miles Davis	release credit	Performer [Featuring Original Performances By]	#23755 · linked

Credited participation only.

Connection 2: Cosmo's Factory Search this route in Connect Two Records →

Kind Of Blue

Cosmo's Factory

3 documented hops.

Hop 1: Miles Davis and George Benson

both credited on Miles In The Sky (1977, US) · source

Release 66849 · evidence
Credited as	Scope	Role	Identity
Miles Davis (as M. Davis) `A1`	track credit	Written-By	#23755 · linked
Miles Davis (as M. Davis) `B2`	track credit	Written-By	#23755 · linked
Miles Davis	release artist	—	#23755 · linked
George Benson	release credit	Guitar	#2266 · linked
Miles Davis	release credit	Trumpet	#23755 · linked

Hop 2: George Benson and Lee Ritenour

both credited on Give Me The Night (1980, US) · source

Release 221421 · evidence
Credited as	Scope	Role	Identity
George Benson `B2`	track credit	Lead Guitar, Scat	#2266 · linked
Lee Ritenour `B3`	track credit	Acoustic Guitar	#37735 · linked
Lee Ritenour `B6`	track credit	Electric Guitar	#37735 · linked
George Benson	release artist	—	#2266 · linked
George Benson	release credit	Guitar	#2266 · linked
George Benson	release credit	Vocals	#2266 · linked
Lee Ritenour	release credit	Guitar	#37735 · linked

Hop 3: Lee Ritenour and Creedence Clearwater Revival

both credited on American Flyers (1985, US) · source

Release 1677130 · evidence
Credited as	Scope	Role	Identity
Lee Ritenour	release artist	—	#37735 · linked
Lee Ritenour	release credit	Guitar	#37735 · linked
Lee Ritenour	release credit	Guitar Synthesizer	#37735 · linked
Lee Ritenour	release credit	Producer	#37735 · linked
Creedence Clearwater Revival	release credit	Performer [Group]	#252102 · linked

Credited participation only.

Connection 3: Face Value Search this route in Connect Two Records →

Kind Of Blue

Face Value

2 documented hops.

Hop 1: Miles Davis and Sting

both credited on You're Under Arrest (1985, Europe) · source

Release 55660 · evidence
Credited as	Scope	Role	Identity
Sting `A1`	track credit	Voice [French Policeman]	#13961 · linked
Miles Davis (as M. Davis) `A1`	track credit	Written-By	#23755 · linked
Miles Davis `A1`	track credit	Trumpet, Voice [Police, Davis]	#23755 · linked
Miles Davis `A2`	track credit	Trumpet	#23755 · linked
Miles Davis (as M. Davis) `A3`	track credit	Written-By [Md1, Md2]	#23755 · linked
Miles Davis `A3`	track credit	Trumpet	#23755 · linked
Miles Davis (as M. Davis) `A4`	track credit	Written-By	#23755 · linked
Miles Davis `A4`	track credit	Trumpet	#23755 · linked
Miles Davis (as M. Davis) `A5`	track credit	Written-By	#23755 · linked
Miles Davis `A5`	track credit	Trumpet, Synthesizer [Obxa]	#23755 · linked
Miles Davis (as M. Davis) `B1`	track credit	Written-By	#23755 · linked
Miles Davis `B1`	track credit	Trumpet, Synthesizer [Obxa]	#23755 · linked
Miles Davis `B2`	track credit	Trumpet	#23755 · linked
Miles Davis `B3`	track credit	Trumpet	#23755 · linked
Miles Davis (as M. Davis) `B4`	track credit	Written-By [Jean Pierre]	#23755 · linked
Miles Davis (as M. Davis) `B4`	track credit	Written-By [Then There Were None]	#23755 · linked
Miles Davis `B4`	track credit	Trumpet	#23755 · linked
Miles Davis	release artist	—	#23755 · linked
Miles Davis	release credit	Arranged By	#23755 · linked
Miles Davis	release credit	Illustration	#23755 · linked
Miles Davis	release credit	Producer	#23755 · linked

Hop 2: Sting and Phil Collins

both credited on No Jacket Required (1985-03-00, Australia) · source

Release 207607 · evidence
Credited as	Scope	Role	Identity
Phil Collins `A1`	track credit	Lead Vocals, Drum Machine	#101028 · linked
Phil Collins `A2`	track credit	Lead Vocals, Keyboards, Bass, Drums, Drum Machine	#101028 · linked
Sting `A3`	track credit	Backing Vocals	#13961 · linked
Phil Collins `A3`	track credit	Lead Vocals, Keyboards, Percussion, Drum Machine, Backing Vocals	#101028 · linked
Phil Collins `A4`	track credit	Lead Vocals, Drums	#101028 · linked
Phil Collins `A5`	track credit	Lead Vocals, Drum Machine, Keyboards, Backing Vocals	#101028 · linked
Phil Collins `B1`	track credit	Lead Vocals, Keyboards, Drums, Drum Machine	#101028 · linked
Phil Collins `B2`	track credit	Lead Vocals, Keyboards, Drums, Drum Machine	#101028 · linked
Phil Collins `B3`	track credit	Lead Vocals, Keyboards, Drums	#101028 · linked
Phil Collins `B4`	track credit	Lead Vocals, Keyboards, Drums	#101028 · linked
Sting `B5`	track credit	Backing Vocals	#13961 · linked
Phil Collins `B5`	track credit	Lead Vocals, Keyboards, Drums, Drum Machine, Backing Vocals	#101028 · linked
Phil Collins	release artist	—	#101028 · linked

Credited participation only.

Connection 4: Hey Stoopid Search this route in Connect Two Records →

Kind Of Blue

Hey Stoopid

2 documented hops.

Hop 1: Alice Cooper (2) and Bernard Purdie

both credited on The Life And Crimes Of Alice Cooper (1999-04-20, US) · source

Release 474049 · evidence
Credited as	Scope	Role	Identity
Alice Cooper (2) `1-5`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-6`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-7`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-8`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-9`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-11`	track credit	Harmonica	#463597 · linked
Alice Cooper (2) `1-11`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-12`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-13`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-16`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-17`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-19`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `1-21`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-2`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-3`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-4`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-5`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-6`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-7`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-8`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-9`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-10`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-11`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-12`	track artist	—	#463597 · linked
Alice Cooper (2) `2-12`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-13`	track artist	—	#463597 · linked
Alice Cooper (2) `2-13`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-14`	track artist	—	#463597 · linked
Alice Cooper (2) `2-14`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-14`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-15`	track artist	—	#463597 · linked
Alice Cooper (2) `2-15`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-15`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-16`	track artist	—	#463597 · linked
Alice Cooper (2) `2-16`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-16`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-17`	track artist	—	#463597 · linked
Alice Cooper (2) `2-17`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-17`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-18`	track artist	—	#463597 · linked
Alice Cooper (2) `2-18`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-18`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-19`	track artist	—	#463597 · linked
Alice Cooper (2) `2-19`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-19`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `2-20`	track artist	—	#463597 · linked
Alice Cooper (2) `2-20`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `2-20`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-1`	track artist	—	#463597 · linked
Alice Cooper (2) `3-1`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-1`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-2`	track artist	—	#463597 · linked
Alice Cooper (2) `3-2`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-2`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-4`	track artist	—	#463597 · linked
Alice Cooper (2) `3-4`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-5`	track artist	—	#463597 · linked
Bernard Purdie `3-5`	track credit	Percussion	#44138 · linked
Alice Cooper (2) `3-5`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-6`	track artist	—	#463597 · linked
Alice Cooper (2) `3-6`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-6`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-7`	track artist	—	#463597 · linked
Alice Cooper (2) `3-7`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-7`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-8`	track artist	—	#463597 · linked
Alice Cooper (2) `3-8`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-8`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-9`	track artist	—	#463597 · linked
Alice Cooper (2) `3-9`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-9`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-10`	track artist	—	#463597 · linked
Alice Cooper (2) `3-10`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-10`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-11`	track artist	—	#463597 · linked
Alice Cooper (2) `3-11`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-12`	track artist	—	#463597 · linked
Alice Cooper (2) `3-12`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-12`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-13`	track artist	—	#463597 · linked
Alice Cooper (2) `3-13`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-13`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-14`	track artist	—	#463597 · linked
Alice Cooper (2) `3-14`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-15`	track artist	—	#463597 · linked
Alice Cooper (2) `3-15`	track credit	Producer	#463597 · linked
Alice Cooper (2) `3-15`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-15`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-16`	track artist	—	#463597 · linked
Alice Cooper (2) `3-16`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-17`	track artist	—	#463597 · linked
Alice Cooper (2) `3-17`	track credit	Producer	#463597 · linked
Alice Cooper (2) `3-17`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-17`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-18`	track artist	—	#463597 · linked
Alice Cooper (2) `3-18`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-18`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-19`	track artist	—	#463597 · linked
Alice Cooper (2) `3-19`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-19`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-20`	track artist	—	#463597 · linked
Alice Cooper (2) `3-20`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-20`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-21`	track artist	—	#463597 · linked
Alice Cooper (2) `3-21`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-21`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `3-22`	track artist	—	#463597 · linked
Alice Cooper (2) `3-22`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `3-22`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-1`	track artist	—	#463597 · linked
Alice Cooper (2) `4-1`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-1`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-2`	track artist	—	#463597 · linked
Alice Cooper (2) `4-2`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-2`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-3`	track artist	—	#463597 · linked
Alice Cooper (2) `4-3`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-3`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-4`	track artist	—	#463597 · linked
Alice Cooper (2) `4-4`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-4`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-5`	track artist	—	#463597 · linked
Alice Cooper (2) `4-5`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-5`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-6`	track artist	—	#463597 · linked
Alice Cooper (2) `4-6`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-7`	track artist	—	#463597 · linked
Alice Cooper (2) `4-7`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-8`	track artist	—	#463597 · linked
Alice Cooper (2) `4-8`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-8`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-9`	track artist	—	#463597 · linked
Alice Cooper (2) `4-9`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-9`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-10`	track artist	—	#463597 · linked
Alice Cooper (2) `4-10`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-11`	track artist	—	#463597 · linked
Alice Cooper (2) `4-11`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-11`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-12`	track artist	—	#463597 · linked
Alice Cooper (2) `4-12`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-12`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-13`	track artist	—	#463597 · linked
Alice Cooper (2) `4-13`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-14`	track artist	—	#463597 · linked
Alice Cooper (2) `4-14`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-14`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-15`	track artist	—	#463597 · linked
Alice Cooper (2) `4-15`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-15`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-16`	track artist	—	#463597 · linked
Alice Cooper (2) `4-16`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-17`	track artist	—	#463597 · linked
Alice Cooper (2) `4-17`	track credit	Producer	#463597 · linked
Alice Cooper (2) `4-17`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-17`	track credit	Written-By	#463597 · linked
Alice Cooper (2) `4-18`	track artist	—	#463597 · linked
Alice Cooper (2) `4-18`	track credit	Vocals	#463597 · linked
Alice Cooper (2) `4-18`	track credit	Written-By	#463597 · linked
Alice Cooper (2)	release artist	—	#463597 · linked
Alice Cooper (2)	release credit	Vocals	#463597 · linked

Hop 2: Bernard Purdie and Miles Davis

both credited on Get Up With It (1974-12-00, US) · source

Release 371466 · evidence
Credited as	Scope	Role	Identity
Miles Davis	release artist	—	#23755 · linked
Miles Davis (as M. Davis)	release credit	Written-By	#23755 · linked
Miles Davis	release credit	Organ	#23755 · linked
Miles Davis	release credit	Piano	#23755 · linked
Miles Davis	release credit	Trumpet	#23755 · linked
Bernard Purdie	release credit	Drums	#44138 · linked

Credited participation only.

Connection 5: Some Girls Search this route in Connect Two Records →

Kind Of Blue

Some Girls

2 documented hops.

Hop 1: The Rolling Stones and Taj Mahal

both credited on No Security (1998, Europe) · source

Release 462626 · evidence
Credited as	Scope	Role	Identity
Taj Mahal (as T. Mahal) `6`	track credit	Written-By	#15158 · linked
The Rolling Stones (as Rolling Stones)	release artist	—	#20991 · linked
Taj Mahal	release credit	Guest [Special Guest], Vocals	#15158 · linked

Hop 2: Taj Mahal and Miles Davis

both credited on Bank Robbery (1990, Europe) · source

Release 6716580 · evidence
Credited as	Scope	Role	Identity
Taj Mahal	release artist	—	#15158 · linked
Miles Davis	release artist	—	#23755 · linked
Taj Mahal	release credit	Guitar, Vocals	#15158 · linked
Miles Davis	release credit	Trumpet	#23755 · linked

Credited participation only.

Contributors in these connections

Bill Laswell#661 · linked identity George Benson#2266 · linked identity David Byrne#3918 · linked identity Sting#13961 · linked identity Taj Mahal#15158 · linked identity The Rolling Stones#20991 · linked identity Miles Davis#23755 · linked identity Lee Ritenour#37735 · linked identity Bernard Purdie#44138 · linked identity Phil Collins#101028 · linked identity Creedence Clearwater Revival#252102 · linked identity Alice Cooper (2)#463597 · linked identity

Nearby in the credit network

Connected through shared contributors. The credit graph links them; it says nothing about how they sound.

BlondeFrank Ocean · 2016

Dawn FMThe Weeknd · 2022

Remain In LightTalking Heads · 1980

21Adele (3) · 2011

TonightDavid Bowie · 1984

Give Me The NightGeorge Benson · 1980

Prefer to guess before you look? The Connection Guesser deals rounds like these — two records, one credited name to find — and the Connection of the Day deals one for everyone.

See how Kind Of Blue connects to everything else in the Network Explorer, centered on Miles Davis — or try connecting it to another record yourself.