Hop 1: Phil Collins and Steve Winwood
both credited on ...But Seriously (1989-11-07, Europe) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
Phil Collins (as P.C.) 1 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Phil Collins (as P.C.) 2 | track credit | Keyboards, Vocals, Percussion | #101028 · linked |
Phil Collins (as P.C.) 3 | track credit | Keyboards, Vocals, Percussion | #101028 · linked |
Phil Collins (as P.C.) 4 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Phil Collins 4 | track credit | Written-By | #101028 · linked |
Phil Collins (as P.C.) 5 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Phil Collins (as P.C.) 6 | track credit | Keyboards, Drums, Vocals, Tambourine | #101028 · linked |
Phil Collins (as P.C.) 7 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Phil Collins (as P.C.) 8 | track credit | Keyboards, Drums, Vocals, Tambourine | #101028 · linked |
Phil Collins (as P.C.) 9 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Steve Winwood 9 | track credit | Organ [Hammond] | #201571 · linked |
Phil Collins (as P.C.) 10 | track credit | Drums, Percussion | #101028 · linked |
Phil Collins 10 | track credit | Written-By | #101028 · linked |
Phil Collins (as P.C.) 11 | track credit | Keyboards, Drums, Vocals | #101028 · linked |
Phil Collins (as P.C.) 12 | track credit | Keyboards, Drums, Vocals, Percussion | #101028 · linked |
| Phil Collins | release artist | — | #101028 · linked |
| Phil Collins | release credit | Producer, Mixed By | #101028 · linked |
| Phil Collins | release credit | Written-By | #101028 · linked |
Hop 2: Steve Winwood and Billy Joel
both credited on The Bridge · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
Steve Winwood B4 | track credit | Organ [Hammond B-3] | #201571 · linked |
| Billy Joel | release artist | — | #137418 · linked |
| Billy Joel | release credit | Vocals, Piano, Synthesizer, Songwriter [Music And Lyrics] | #137418 · linked |
A shared credit documents participation on a recording — evidence, never influence.

