Hop 1: Glyn Johns and The Beatles
both credited on 1 (2000-11-13, Europe) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
Glyn Johns 22 | track credit | Engineer [Recording Engineer] | #52230 · linked |
Glyn Johns 24 | track credit | Engineer [Recording Engineer] | #52230 · linked |
Glyn Johns 26 | track credit | Engineer [Recording Engineer] | #52230 · linked |
Glyn Johns 27 | track credit | Engineer [Recording Engineer] | #52230 · linked |
| The Beatles | release artist | — | #82730 · linked |
Hop 2: Emerson, Lake & Palmer and The Beatles
both credited on Emerson, Lake & Palmer (1980, German Democratic Republic (GDR)) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
Emerson, Lake & Palmer A1 | track artist | — | #39765 · linked |
Emerson, Lake & Palmer A2 | track artist | — | #39765 · linked |
Emerson, Lake & Palmer A3 | track artist | — | #39765 · linked |
Emerson, Lake & Palmer A4 | track artist | — | #39765 · linked |
Emerson, Lake & Palmer A5 | track artist | — | #39765 · linked |
Emerson, Lake & Palmer A6 | track artist | — | #39765 · linked |
The Beatles B1 | track artist | — | #82730 · linked |
The Beatles B2 | track artist | — | #82730 · linked |
The Beatles B3 | track artist | — | #82730 · linked |
The Beatles B4 | track artist | — | #82730 · linked |
The Beatles B5 | track artist | — | #82730 · linked |
The Beatles B6 | track artist | — | #82730 · linked |
The Beatles B7 | track artist | — | #82730 · linked |
The Beatles B8 | track artist | — | #82730 · linked |
| Emerson, Lake & Palmer | release artist | — | #39765 · linked |
| The Beatles | release artist | — | #82730 · linked |
| Emerson, Lake & Palmer | release credit | Arranged By | #39765 · linked |
Hop 3: Grill Attack and The Beatles
both credited on I Love Kiełbasa (2012-03-30, Poland) · source
| Credited as | Scope | Role | Identity |
|---|---|---|---|
The Beatles 11 | track credit | Performer [Original] | #82730 · linked |
| Grill Attack | release artist | — | #1999233 · linked |
A shared credit documents participation on a recording — evidence, never influence.



